If you enjoyed KendallвЂ™s high-energy playing on that video, youвЂ™ll want to be sure to SUBSCRIBE to his Kendall Keyz YouTube channel right away (like I did).

Posted in Uncategorized on Apby geunjung lee.Exquisite jazz organ magic Kendall Carter вЂ“ INTRODUCING KENDALL CARTER: This debut release from Hammond B3 master Kendall is THE most exquisite jazz organ work IвЂ™ve heard (yet) in 2021вЂ¦ you all know that I believe the most important way to become familiar with a new artist is to watch them in action, so without further ado, hereвЂ™s the official trailer video for вЂњ Lovely DayвЂќ from the albumвЂ¦ I am not a fan of contemporary music because of its complexity but still it is much worthwhile to listen and study since it is another different and modified way to express multiple messages and feelings today. In this concert, I was amazed about the facts that there were variety of genres that two jazzy instruments could express and lots of modern music works are actually being made and studied so steadily. It was esoteric but not unpleasant so that I could listen comfortably but carefully.

This was composed in 2015, therefore it also had fairly contemporary atmosphere. The last piece was вЂњSix VignettesвЂќ by Frederick A. Throughout all the short three movements, the charming and beautiful accompanying harpsichord came all the way, making this piece richer and more fun. The sound of the three instruments mixed together, but soon one instrumentвЂ™s clear sound came out. I was glad to hear the melody that applies to the musical terms that I have learned from the music appreciation such as imitative polyphonic, and homophonic texture. Also, as it was composed in 1630, the unique mystique of the music of the period has been reveal. Indeed, the sound of plucking the strings from the harpsichord, different from the notes of the piano, was very attractive. I was very excited about the fact that I could hear the harpsichord, which I could only hear indirectly in recordings and videos. The harpsichord is an old instrument that is the predecessor of modern piano, so I never expected to be able to hear it. There was one unique piece, вЂњSelections from Arie Musicali, Book 1вЂќ (1630) by Girolamo Frescobaldi, that had one special guest performer Christina Hutten for harpsichord. As the rhythm was being drooped, it was an attractive piece that I could listen to without worrying throughout the performance. This piece seemed to lyrically draw a quiet bar in one old movie. A jazzy, slow lagging rhythm and blue melody was so fascinated. The next piece, вЂњLawnsвЂќ by Carla Bley, had a typical jazz frame, unlike the previous three. All these works were esoteric pieces that were difficult to define the genre, but it was quite interesting to listen to those works with trombone and bass-specific low tone. All three pieces had more contemporary musical colors than the atmosphere of jazz. All three were in the audience together, so after each performance, the performers and the audience applauded the three. Three other pieces were world premiere, composed by current UBC composition students вЂњThe EncounterвЂќ by Carmyn Slater, вЂњThe Ground Beneath UsвЂќ by Robert Humber, and вЂњNight TidesвЂќ by Taylor Hall. It was quite short, so it ended quickly but there was the excitement for the celebration and solemnity for the wedding together. Elgar composed this piece for celebration of his friendвЂ™s wedding. Soon after, the first piece began, вЂњDuet for Trombone and Double BassвЂќ by Edward Elgar in 1887. Then they alternately had brief speech about jazz and todayвЂ™s program. The concert began with wit as David, alone on the stage, started playing bass in a low tone, Jeremy suddenly appeared next to the audience and played the trombone with improvisational melodies. Because of these facts, I excited even more about the concert.

Only two of eight works performed at this concert were composed before 19 th century. Most pieces of this day were relatively newly composed. These two instruments are quite often performed in large group of brass or jazz band, but it is not usual to hear them as duet. This mini concert was performed by trombonist Jeremy Berkman and double bassist David Brown.

Carla bley lawns score